May 16th, 2011
I’m pleased to report some modest progress on my picnic ensemble, despite a busy weekend at work and a persistent headache. So far, I’ve been focused on building a viable under-structure for the bodice of my Empire frock. You’ll notice that I am now calling it Empire, as opposed to Regency, since the dress is taking on more and more of a French influence.
I have to admit I wasn’t too sure that this would work, even after making a quick version in muslin. But the linen under-bodice is really quite remarkable in the amount of support it offers — more than enough to dispense entirely with any thought of additional undergarments. It’s copied from the lining of Janet Arnold’s stomacher-front 1798-1805 morning dress, illustrated and diagrammed on pages 48 & 49 in Patterns of Fashion I.
I cheated and used the copier at work to enlarge the pattern. And, remarkably, had to make very few adjustments to make it fit like a glove: I added an inch to each side of the shoulder strap (I need to add length between the shoulder and bust points on most modern patterns as well) and it looks like I’ll be taking three inches out of the front of the bust (the original dress seems to have belonged to a very well-endowed lady).
Here is my version in progress, including pins marking the center front on my own modest bosom. The original lining in Arnold’s book was pinned closed(!) but I plan to make lacing eyelets as I don’t trust straight pins to hold firmly, or to refrain from stabbing me at an awkward moment. I’m also going to add a long cotton petticoat, possibly with a few tucks at the bottom, to make this a true bodiced-petticoat. The dress will be made separately since it needs to open at the back, while the bust support relies on front closure to achieve its desired effect.
In case you are curious, I’m sewing by hand, so far at least, and finishing by overcasting the seams and hemming the edges. A cursory search turned up no directions for assembling a frock from this period and I’ve never seen an extant example up close, so I am going with the directions from the Workwoman’s Guide, published about 30 years later. Because I was too lazy to go to the laundromat and wash something from my stash of linen, I cut out the bodice from an old linen tea cloth that I purchased at our museum’s stoop sale last Saturday. Lastly, I apologize in advance for the lack of a live-model in this and following “in-progress” pictures. I am not photographing this stage of fitting for obvious reasons.
May 12th, 2011
I am attending a neoclassical picnic later this month, and have decided to finally make that Regency-era dress I’ve been putting off for more than a decade. My mother bought me a copy of the Folkwear Empire Dress pattern, along with a length of sheer fabric printed with blue stripes and tiny blue flowers in the late 1990s. At the time, I was working for the George Read II House & Garden, an historic house build in the early 19th century, and had plans to sew an appropriate wardrobe.
So tonight, I grabbed some cheap muslin and cut out the Folkwear bodice. I’d already decided to use the skirt from Janet Arnold instead of making the gored skirt included in the pattern (I’ve never seen a gored Regency skirt…not that I know much about this period). Alas, after hastily stitching the bodice together and gathering it over my corset lace because I was too lazy to hunt for a proper drawstring, I discovered that I also hate the top of this dress. Please don’t misunderstand; it’s a lovely pattern and I adore Folkwear, but it just isn’t what I’m looking for this time.
Here’s what I’m trying to match:
Young Woman in White, circa 1798, oil on canvas,
attributed to the circle of Jacques-Louis David.
Well, perhaps not exactly. I’m not sure I’m brave enough to attend a picnic at a public garden with quite such a visible bust line. But I love the sleeves, the neck, the skirt, the hairdo, the shawl. I think I’ll add a straw hat too.
As for the pattern, I think Janet Arnold is going to be my best friend in this case. So I’m off to con my copy of Patterns of Fashion I. The big question that remains of course is whether she is wearing a bust-bodice or a bodiced petticoat (I am leaning towards the latter based on the volume of her skirts) and IS IT BONED??
P.S. I am saving the original blue striped and flowered material for an 1850s wrapper — it’s far too fussy to be properly Neoclassical — and I’ve pulled out a nice white-on-white striped sheer cotton that’s almost fine enough to be mull.« Newer Posts