December 12th, 2012
Our local hamlet is putting on a Christmas Musicale later this month. In addition to singing a shaky soprano in the choir, I’m also taking part in a girls trio doing Ave Maria. We’re using Schubert’s setting, since it’s probably the most familiar these days — thanks to Frank Sinatra, et al.
What I didn’t know was that Schubert, who composed the iconic melody and cascading arpeggio accompaniment in 1825, didn’t write it for the Latin prayer. It was part of his seven-song cycle for a German translation of Sir Walter Scott’s Lady of the Lake. I’ll pause a moment while that sinks in. Or maybe you already knew, and I am the only one floored by this revelation, courtesy Wikipedia.
Illustration from Lady of the Lake
Perhaps it hits me particularly hard, since Lady of the Lake is one of my absolute favorites.
He goes to do what I had done,
had Douglas’s daughter been his son…
Doesn’t it just send thrills up your spine? Apparently, Schubert wrote Ellens dritter Gesang (Ellen’s Third Song) for a point in the poem where Ellen prays to the Virgin Mary on behalf of her embattled Highland clan. Here it is in English:
Ave Maria! maiden mild!
Listen to a maiden’s prayer!
Thou canst hear though from the wild;
Thou canst save amid despair.
Safe may we sleep beneath thy care,
Though banish’d, outcast and reviled –
Maiden! hear a maiden’s prayer;
Mother, hear a suppliant child!
Ave Maria! undefiled!
The flinty couch we now must share
Shall seem this down of eider piled,
If thy protection hover there.
The murky cavern’s heavy air
Shall breathe of balm if thou hast smiled;
Then, Maiden! hear a maiden’s prayer,
Mother, list a suppliant child!
Ave Maria! stainless styled.
Foul demons of the earth and air,
From this their wonted haunt exiled,
Shall flee before thy presence fair.
We bow us to our lot of care,
Beneath thy guidance reconciled;
Hear for a maid a maiden’s prayer,
And for a father hear a child!
The German pronunciation is a bit beyond me at the moment, but you can bet I’m gonna learn it! I should probably try to dig up the other six songs as well. If this is Ellen’s third, that means at least two more are for soprano…